Why are you doing photography? I’ve asked myself that question often. There was a time when I did photography simply for the love of it. The curiosity of what would come back, what moment can I capture, what scene fascinates me?
I went through a period of soul-searching. Quit my job and attempted to do photography for a living. That didn’t work out very well. For one I wasn’t making much of a living. But the worst part of it all I lost my love and passion for photography. I was no longer photographing things that interest me or captured my attention. I was now photographing things that I knew my customers wanted. I was caught up in this world of wedding photography, and it’s only purpose was to generate money. I wasn’t thinking about making great images that pleased me, I was trying to make great images that pleased them. The demands to please, and make a living squashed out all I loved about photography. So much so that I gave up the business, and almost stop taking photos completely. 
For years I felt like I didn’t care if people liked my images, especially other photographers what do they know anyhow? I always did photography because I loved it, and did it for me and what pleased my eyes. It wasn’t until I entered this world of being paid that ruined it for me. Don’t get me wrong I was good at what I did, but it wasn’t satisfying me.
I have finally found that passion again. Here I am after leaving the camera alone for a while. I have picked it up again with that same curiosity I’ve had since I first picked up my first camera when I was around 10 or 12 years old. I found myself having fun again, with that same anticipation as to how the images will look. I was shooting places and things that caught my attention. Wondering how the final image would look. Hoping that I caught something that would stun me. I found my passion again! I was shooting for me, for what pleased me and for that I’m so thankful!
So check out a few photos I have recently done. Photos by RJ Downtown Los Angeles
I was really moved by the photography of Edward Weston, and his love and model Charis Wilson. They did some stunning work together. There work together is very intimate work, the kind that I strive for. At times I find myself uncomfortable with my subjects, and I think that stems from my desire to know them better. One reason I was never quite comfortable shooting weddings for studios was the fact that I met the bride for the first time on her wedding day. To me this did not allow me time to build a rapport with both of them, and in some ways placed me at a disadvantage. I would have preferred to have met them and chat for a while, even shoot their engagement photos – which I







